搜索到与《》相关的影片
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太空终界第三季-动漫
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演员：内详
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简介： FivedaysaftersuccessfullyrescuingQuinnErgonfromherprison,GaryGoodspeed,theTeamSquad,andBolofindthemselvestrappedwithinthehorrificdimensionofFinalSpace,witheverythingbeingonlyaquestionofsurvival.PursuedrelentlesslybyInvictus,thenewlyresurrectedLordCommander,andtheTitans,alldeterminedtocaptureMooncaketobecomeevenmorepowerful,theTeamSquad’sonlyhopeistoallythemselveswithEarth’slastsurvivorbeforeit’stoolate.--FinalSpaceWiki
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希尔达与山丘之王-动漫
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演员：内详
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简介： *本电影为剧场版，请先观看前两季，否则将严重影响观感。
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冰雪女王4：魔镜世界-动漫
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演员：内详
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简介： 格尔达与凯以及他们的父母生活在由哈拉德统治的繁荣国度里。国王哈拉德不仅是名科学家，而且还是一名发明家。格尔达因她魔法技艺不佳而十分烦恼，因为她的家人都是技艺精湛的魔法师。 当一件魔法神器在冰雪女王城堡的废墟中被发现时事情发生了转变，这件魔法神器可以将所有的魔法师放逐到镜像世界中，而这里是一个没有退路的地方。 现在，只有格尔达可以解救她的家人，而解救的唯一方式是需要她联手她的前敌人—冰雪女王。
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神之山岭-动漫
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演员：内详
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简介： 《神之山岭》改编自著名漫画家谷口治郎和作家梦枕貘的漫画系列，在影片中，年轻的日本摄影记者深町发现了一部或将改变登山历史的相机。这部相机指向神秘的羽生丈二 — 一名据传已经失踪多年的孤狼登山者。深町进入了狂热登山者的世界，这些登山者们对难以征服的高山充满向往，在这个旅程中，深町一步一步地走向了神之山岭。
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两个俏公主-动漫
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演员：内详
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简介： 这是一个少女心满满的童话故事，堂庭国的公主红铃，为了帮助天鹅王子找回圣羽，和乐游国的公主桃茜一起，经历各种险境，最终实现了她们的承诺。她们不仅找回了圣羽，还为象神大陆上两国之间的和平做出了巨大的努力。
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九叔之夜行疯魔-剧情片
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演员：内详
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简介： 故事发生在一个古镇，往日里平静的小镇突然惊现诡异事件！九叔白天经营一家药房，晚上给枉死之人送葬。小镇近来时常半夜出现惨叫，有人离奇死亡都有被撕咬痕迹疑是神秘生物所为。警队频繁接到报案但都一无所获。九叔觉得事情蹊跷，便自己暗中调查。之后又连续发生多起命案，发现死者的死法大径相同。九叔为钱老爷做法送葬。和徒弟们说万一处理不好会造成无法想象的后果。徒弟阿武和阿果晚上回去无意中偷看到师妹无双正在洗澡被师父九叔发现动静，他们俩急忙逃跑半路遇见一群“僵尸”。九叔闻风赶来。展开一场搏斗。九叔根据每次案发现场的一丝丝线索顺藤摸瓜找到了凶手的故事，原来比鬼神更可怕的是……@xiangkanju
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买手枪-剧情片
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演员：内详
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简介： 墨西哥的近未來，女人、植被跟希望都荒蕪，黑幫、球棒與槍桿子猖獗的年代，小女孩哈克和父親以露營車為家，當父親在白粉蒸燃的幻魅裡放大苟活的欣快，她的童年則被活埋在床單和面具下，生存慾望和血性卻在體內悄悄上膛。紀錄片般的寫實風格雜混著超現實色彩的末日景象，猶如《瘋狂麥斯》裡法治憐憫稀薄的世界，亦似《蒼蠅王》孩子建制與奪權，真理人性雙雙墮落的寓言和預言。 胡立歐?赫南德茲?柯登，1975 年生於美國北卡羅萊納州，生長於墨西哥、哥斯大黎加、瓜地馬拉，同時身兼導演、製片與編劇。其長、短片常以紀錄片風格拍攝，選用素人演員，並曾獲盧卡諾影展、多倫多影展與聖塞巴斯提安等影展獎項。
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克雷兄弟的秋天-剧情片
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演员：内详
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简介： Simon Cotton as Ronnie Kray and Kevin Leslie as Reggie Kray , picks up the story of the infamous Firm as the sanity of the two brothers bring uncertainties to the there business plans . now with their empire in place, the brothers must now fight to keep hold of both as the obsession of one police officer becomes undeceived by the dangerous state of mind for Reggie and Ronnie re...
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关于在短时间内的某几个人的经过-剧情片
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演员：内详
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简介： Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1:Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2:"Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1:Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2:Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiverseobjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1:Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2:Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1:Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2:Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecauseofthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheruseoftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3:Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1:Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2:Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1:Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2:Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3:Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2:Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1:Reallyhardtodrinkmore.Voice2:Ofcourseonemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3:Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2:Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.
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变身舞后-剧情片
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演员：内详
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简介： 来自小镇的女子渴望成为舞者，她打扮成男子在一家经营不善的变装酒吧表演。
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